中国灾难片受传统文化的集体无意识和社会主流观念影响,长期以来形成泛政治化的叙事成规;进入后现代时期以来,灾难片开始了多元化的探索,如将灾难与中国电影的家庭伦理叙事传统结合。面对当下生态环境问题日益突出的现实语境,通过电影增强国人的灾害意识与灾害认知,是中国灾难片的发展之本。 Influenced by the collective unconsciousness of traditional culture and the mainstream social concept, the disastrous films in China have long formed a pan-politicized narrative convention. Since entering the post-modern era, the disastrous films have begun to diversify their exploration. For example, the disasters and the family ethics narration of Chinese films Traditional combination. Faced with the increasingly prominent reality of the current ecological environment, using cinema to enhance people’s awareness of disasters and disasters is the basis for the development of a disaster film in China.