女性诗歌自 80年代中期以来 ,一直处于一种极为活跃又极为寂寞的状态。一批女诗人不断推出新作力作 ,以敞开女性血肉真实的“躯体写作”语言方式 ,惊世骇俗地抒泻着女性千百年来一直压抑在心中、死灭于潜意识里的性爱本能欲望的冲动与渴求 ,力图将女性“被遮蔽”、“被言说”的历史 ,改写成“完全敞开”、“主动言说”的历史 ,表达了对男权制度、男权意识、男权话语的一种极端化抗议与颠覆 ,显示出一种现代主义与后现代主义交互渗透的文化反抗的积极意义。但这种“女性肉体写作方式”也包含着不可逃避的悖论与致命的偏狭 Since the mid-1980s, female poetry has been in an extremely active and extremely lonely state. A group of female poets continue to launch new works to open the flesh and blood of women’s true “body writing” language, shockingly vulgar way to depress the female for centuries has been suppressed in the heart, the urge to submerge in the subjective sense of urge and desire, Trying hard to change the history of women’s “being obscured” and “being spoken” into the history of “completely open” and “active speech”, expressing an extreme protest against the patriarchal system, the patriarchal conscience and the patriarchal discourse and Subversion, showing the positive significance of a cultural resistance that the interaction between modernism and postmodernism infiltrate. However, this “female body writing style” also contains an inevitable paradox and fatal bias