在全军第五届文艺会演期间,我有幸观摩了歌剧《特区回旋曲》(编剧严肃,作曲刘虹,导演金翼),给我印象最深的是演员的表演松弛、自然,阵容整齐,导演有创新意识。我们在《特》剧中,感到难得的是象王静这样一位有相当音乐成就的女高音歌唱家,不仅注重了利用声乐的魅力来刻画人物,也能以娴熟的形体表演进行艺术创造,在“醉酒”一段中,且唱且演且跳,浑然一体,令人赞赏。歌剧同戏曲一样,是“剧”同“曲”相结合的舞台艺术。今天的歌剧,再也不能仅仅依靠音乐吸引形形色色的观众。青年演员马跃以他那使人着迷的,会传达复杂感情的歌喉和自由舒展的形体动作,吸引了观众。他演的复员军人林茂,生动而又真实可信,给 During the Fifth Art Meeting of the PLA, I was fortunate enough to observe the opera “The Rondo of the Special Zone” (serious writing, composer Liu Hong and director Jin Yi). What impresses me most is the performer’s performance is relaxed, natural and the lineup is neat. innovative mind. What we find rare in the “special” drama is the soprano singer such as Wang Jing, who has made considerable achievements not only in depicting the characters by using the charm of vocal music, but also in performing arts with skillful physical performance, In the “drunken” period, and singing and acting and jumping, seamless, admirable. Opera, like opera, is a stage art combining “drama” with “music”. Today’s opera can no longer rely solely on music to attract a diverse audience. Young actor Ma Yue attracts the audience with his mesmerizing, singing voice and free-form body movements that convey complex feelings. Lin Mao, his demobilized soldier, is vivid and credible