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孔颖达《诗》学建构以诗人预政、救世为宗旨,建立在“诗述民志”、“赋法”论与“兴象”论的基点之上。其《诗》学上承六朝儒学之弊,试图激活文学之道义担当;又顺应文化变革的形势,为之注入鲜明的时代性内涵,于唐代士人道义精神的塑造与唐代实践文学观的确立有着深刻的范式意义。
Kong Yingda’s construction of “poetic studies” is based on the preconceptions and salvation of the poets, and is based on the theory of “poetic narratives”, “Fu Fa” and “Xing Xiang”. The “poetic” theory inherits the disadvantages of Confucianism in the Six Dynasties and tries to activate the moral responsibility of literature. In addition, it adapts to the situation of cultural change and injects distinct connotation of the times into it. The shaping of the moral spirit of the literati in Tang Dynasty and the establishment of the view of practice literature in the Tang Dynasty Has a profound paradigmatic meaning.