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洞经音乐在形成与发展过程中独具特色,汇集了道教的仪式规程与典籍精髓,佛教的礼仪规制与宗教理想,以及儒家的“礼乐”观念。本文的研究旨在思考洞经音乐的内部构成,如何借鉴道、释、儒三家文化经典,又如何调和融汇,形成集百家精华于一身的音乐风貌。在行文中,根据对洞经音乐的影响力,分别以静态视角观察道教、佛教、儒家的不同影响因素,对比每一类文化与洞经音乐之间的互动形式。在一一对比论述之后,又以动态的视角观察流变中洞经音乐始终保持艺术特色与良好发展态势的原因,揭示洞经音乐的个性特质与深厚内涵,从而得到由外及内的艺术全貌。
Dongjing music is unique in the process of its formation and development. It brings together the Taoist rituals and essence of Taoism, the ceremonial and religious ideals of Buddhism, and the Confucian concept of “ritual and music”. This paper aims to study the internal structure of the Confucian Classics music, how to draw lessons from the three cultural classics of Taoism, Buddhism and Confucianism, and how to reconcile the two together to form a musical style with the best of both genres. In the passage, according to the influence of Dongjing music, we respectively observe the different influencing factors of Taoism, Buddhism and Confucianism from a static perspective, and compare the interactive forms between each kind of culture and Dongjing music. After a contrasting discussion, the paper also observes the reason why Dongniaojing always keeps its artistic features and good development trend in a dynamic perspective, and reveals the personality traits and profound connotations of Dongjing music, .