中国戏曲音乐是集历史、民风民情、民事民艺的一种文化事象,从文化类型上讲,它是以中华文化为母语的重要“子语系”.从形态上讲,由先民“古乐”与中国戏曲的缘起出发,至当代乃至未来的走向,它那民族文化本质的价值取向以及观众审美意识、情绪的嬗变之预测,始终是沿着一条有直有曲、曲直交错又相辅伸张的发展线.(一)剧种形态演变的价值重估戏曲及其音乐的缘起,已早在“古乐”——歌、舞、乐、文学(口头歌辞、祭词、咒语等)“四位一体”的母胎中,就开始孕育了.可见,戏曲是有着“多源头”的一门艺术品种.中国音乐(含戏曲音乐)的乐理、教育(传承)法、音乐价值观、风格史、音乐操作评估或曰价值定位,可以说也是以“变”为有始而无终的开放式体系.古老戏曲声腔剧种及近代形成的地方剧种,无一不是在声腔、剧 Chinese opera music is a cultural phenomenon that combines history, folk customs and civil folk arts, and from the cultural typology, it is an important “sublanguage” whose mother tongue is Chinese culture. “With the starting point of Chinese opera, the trend toward the present and the future, the value orientation of its national culture as well as the audience’s aesthetic awareness and the prediction of the transmutation of emotions are always based on the straight line, the straight line and the complementary line (A) the value of the evolution of the form of drama reevaluation of the origins of the opera and its music, has long been in the ”ancient music“ - song, dance, music, literature (oral speech, offerings, spell, etc.) One of the ”multi-source“ art genres.Chinese music (including opera music) music theory, education (heritage) law, music values, style history, music Operational evaluation or value positioning, can be said to also be ”change" to the beginning and end of the open system.Ancient opera vocal operas and modern forms of local operas, both in the acoustics, drama