我在此演讲中讨论的问题,对于以《铁铸残荷》为题举办了这一十分重要的潘公凯水墨作品展的策展人来说,可能会对展览作品形成若干分析。我的兴趣在于,以西方哲学和美学的视点,看待潘公凯的作品,由此对这些置于北美主流美术馆空间中的水墨绘画作品,形成独有的赏鉴。个人而言,我自认并不具备重建水墨画之独特中国经验的能力,而这一经验又无疑是潘公凯实践的根本所在,也是对其作品作任何理解的根本所在,而这一工作,恐怕别人要比我更加胜任。作为一个受欧洲哲学传统训练的哲学家,我虽然试图保持对某 The issues I discussed in this lecture, may give some analysis of exhibition works to curators who organized the very important PanKaiKai Ink Exhibition with the title “Iron Casting”. My interest is to take Pan Gongkai’s work from the western philosophical and aesthetics perspectives and to create a unique appreciation of these ink and wash paintings placed in the North American mainstream art gallery space. Personally, I consider myself not capable of reconstructing the unique Chinese experience of ink and wash painting. This experience is undoubtedly the essence of Pan’s practice and the fundamental reason for any understanding of his work. However, I am afraid that others More competent than me. As a philosopher traditionally trained in the philosophy of Europe, I try to keep it to the right