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黑龙江省佳木斯市在解放战争时期被称作“东北小延安”。这一时期的各种文艺创作,形成了独特的艺术风格,音乐艺术依然。研究“东北小延安”时期音乐风格,对于总结历史经验,指导今天的音乐创作与音乐表演,既具有重要的理论参考价值,又具有重要的实践参考作用。文章从时代性、民族性、地域性三大层面,对“东北小延安”时期音乐风格的审美特征进行了全面系统、深入细致的研究。
Jiamusi City in Heilongjiang Province was called “Northeast Little Yan’an” during the War of Liberation. During this period a variety of literary and artistic creation, forming a unique artistic style, music and the arts still. Studying the music style of the “Northeast Yan’an” period not only has important theoretical reference value but also has an important practical reference for summarizing historical experience and guiding music creation and music performance today. From three aspects of the age, nationality and regionality, the article makes a comprehensive and systematic and intensive study of the aesthetic characteristics of the music style in the period of “Little Yan’an in Northeast China”.