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翻开词史的篇章,“凭栏”作为一种意象频繁地出现在两宋词人的作品当中,“凭栏”事实上是一种心灵的寄托,具有深刻的文学审美价值。本文通过对“凭栏”意象渊源的追溯、“凭栏”意象在两宋词中地位的分析、以及对两宋词中大量出现“凭栏”意象原因的探讨,阐述了“凭栏”意象在两宋词中蕴含着的不同内涵及其演变。并且通过对造成两宋“凭栏”意象差异的主要原因的分析,论证了“凭栏”作为一种文化载体,在不同的社会背景下反映着不同的民族心理历程和精神特质。
Open the chapter of the history of the word, “Ping Bar ” as an image frequently appears in the works of the two Song Ci writers, “Ping Bar ” is in fact a kind of spiritual sustenance, with profound literary aesthetic value. Through the analysis of the origins of “PingBan ” image and the analysis of the status of “PingBan ” image in the two Song Ci, as well as the discussion on the reasons for the appearance of “PingBan The Different Connotation Implied in Image of Two Songs and Its Evolution. And through the analysis of the main causes of the differences between the two levees, the author demonstrates that ”leaning bar " as a cultural carrier reflects different national psychological and spiritual traits in different social contexts.