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世上有这么一种说法,在绘画的领域中,艺术家是在观察事物,感受变化,深入研究的前提下对客观的世界来一次艺术的上升,也就是对客观世界的物体和自己修养的更深层次的探索和内心世界的真情表达,这就演变成“形似”是精神的基础。所谓“神似”就是在绘画方面不受真实存在的客观事物图像拘束,使作者完全能够只通过画面就可以体现内心的感情世界、精神面貌、人生苦乐,栩栩如生的把画面中的人物形象的灵魂体现出来。
There is a saying in the world that in the field of painting, an artist rises in an objective world under the precondition of observing things, feeling changes, and conducting in-depth studies, that is, to a deeper level of objects and self-cultivation in the objective world The exploration of the inner world and the true expression of the inner world, which evolved into a “shape” is the spirit of the foundation. The so-called “God-like ” is unconstrained in the image of the objective things from the real image of the constraints, so that the author can only be through the screen can reflect the inner feelings of the world, mental outlook, life bitter, lifelike images of the characters The soul is reflected.