在二十一世纪谈论诗性,我们常常觉得自己是迟到者:与屈原、荷马、李白、莎士比亚相比,当代人似乎已经错过了诗性丰盈的时代。的确,诗集已经缩减为书店里的少数族裔,但这必然意味着诗性的衰微吗?果真如此的话,“诗性地栖居”为何又成为广被传播的流行语?要回答诸如此类的问题,就必须追问:何为诗性?一要接近诗性本身,我们不能不回到起源。起源不是单纯的历史概念,但又绝非完全与时间无涉,而相关追 When we talk about poetics in the twenty-first century, we often feel that we are late arrivals: compared with Qu Yuan, Homer, Li Bai and Shakespeare, the present generation seems to have missed the era of poetic abundance. Indeed, the collection of poetry has been reduced to a minority in the bookstore, but does this inevitably mean a decline in poetic quality? If so, why poetic dwelling has become a widespread catchphrase? To answer such and such We must ask: what is poetic? One must approach the poetic nature itself, and we can not but return to its origin. The origin is not a purely historical conception, but it is by no means entirely related to the time, but to the chase