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一、主旋律戏剧创作的思考与实践——说说定向戏主旋律戏剧创作是当代中国戏剧编剧无法回避的一个课题。“定向戏”在主旋律戏剧创作中占有极大比例。它对于戏剧创作而言,既是陷阱,又是机遇。主旋律戏剧创作的种种误区和特点,在“定向戏”上表现尤为鲜明和典型。“定向戏”就是有定向要求的戏。具体说,就是以特定的人物原型或特定的生活素材为内容,以特定的宣传教育诉求为主题所创作的戏。这样的戏一般有出资方或承
First, the thinking and practice of the main theme of theatrical creation - to say that the orientation of the main theme of theatrical writing is an issue that contemporary Chinese screenwriters can not avoid. “Orienteering ” occupies a large proportion of the main melody drama creation. It is both a pitfall and an opportunity for drama creation. All kinds of misunderstandings and characteristics of the main melody and drama creation are particularly clear and typical in the “directed play”. “Orienteering ” is a directed play. Specifically, it is based on a specific protagonist or a specific type of living material for the content, with a particular publicity and education as the theme of the theme of the play. This play is generally funded side or bearing