汲古得新,愈古愈新——试从临摹的角度解读古玺

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中国篆刻艺术是以汉字的篆书为基础文字,以印材为载体,以篆法、章法、刀法为创作要素,表现文字美、线条美、构图美、刀法美、意象美的造型艺术作品。所谓古玺,是战国以前的玺印总称,包括殷商、春秋、战国的官私印。那么,在临摹时就要着重掌握不同历史时期古玺印的时代特点和文字结体的不同特征,来对临、比临和意临。由于时代的久远、文字的高古,在识读及使用方面我们需要借助工具书,以充分理解古人的主旨和创作的意图,才能更好地把握殷商文化的博大和雄浑,才能理解青铜文化给我们带来的时代气息和古人的聪明才智,为篆刻的创作提供有力的丰富的源泉。 Chinese carving art is based on Chinese character seal script, printed material as a carrier, with seal law, chapter law, knife as the creative elements, the performance of the text beauty, line beauty, composition of the United States, knife France and the United States, the image of the United States and the United States of art works. The so-called ancient seal, is the general seal before the Warring States period, including the Shang, Spring and Autumn Period, the Warring States period of government private printing. Then, we must pay special attention to the characteristics of the times and the different characteristics of the written texts of ancient seals printed in different historical periods during the copying process. Because of the age, the ancient texts, in the reading and use we need tools, in order to fully understand the purpose of the ancients and the intent of creation, in order to better grasp the Shang merchants culture and vigorous, in order to understand the bronze culture Brought us the flavor of the times and the wisdom of the ancients, for the creation of seal cutting provide a powerful source of wealth.
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会议
摘要:后主李煜用血泪之词表达了国破家亡的不幸和哀愁,词中口语的运用更是增添了词的真实色彩,在不加雕饰的语言中充满着作者的真情实感,读罢让人不得不为这位出身特殊的词人而感叹,同时又感动。   关键词:李煜词;语言;口语  中图分类号:G633.3 文献标识码:A 文章编号:1992-7711(2018)11-0127  李煜词以其极高的艺术成就在词史上具有很大的影响力。在南唐词人中,甚至是整个唐五