对于“现代形态”,我们要足够重视,也要有自己的品评标准。我看过新疆的两台大型歌舞,一台是《我们新疆好地方》,另一台是《天山欢歌》,那里面的舞蹈就具有现代形态,看来一点不觉陈旧,他们找到了将自己的民族特质用现代形态表现的方式。我也看过一些所谓的“古典舞”作品(包括从历史影视题材改编的作品),其实不今不古,粗疏草率之至。要编出像孙颖的《踏歌》那样 For the “modern form”, we should pay enough attention to, but also have their own standards of evaluation. I have seen two large-scale song and dance in Xinjiang, one is “a good place for our Xinjiang,” and the other is the song “Tianshan Song”, where the dance has a modern form, it seems a bit out of date, they find themselves The way the national traits are expressed in modern forms. I have also read some so-called “classical dance” works (including works adapted from historical film themes), but they are neither ancient nor modern. To compile like Sun Ying’s “Tail song” that