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为避免因绘制技法、粉本长时期延续使用所带来的壁画风格易于前后混淆的弊病.文中通过分析陕西省榆林青云万佛洞保留的四面碑刻及两处墨书题记,结合考古层位学、文字避讳学等辅助手段.研究发现洞窟中壁画于康熙二十八年即公元1689年在改建圣母祠时与“三霄娘娘”出行、回鸾图一并绘制而成,通过壁画绘制年代的考证,为榆林地区遗存的同时代壁画的断代提供了文献论证法的新思路.
In order to avoid the shortcomings that the mural painting styles brought by the prolonged use of powder because of drawing techniques and the prolonged use of the mural painting are confused.After analyzing the four inscriptions of inscriptions on the four sides and the inscriptions of ink in Wanfu Cave of Yulin Qingyun in Shaanxi Province, , Text taboo learn and other auxiliary means.Study found that murals in the cave twenty-eight years of Kangxi AD 1689 in the rebuilding of the Temple of Our Lady with “Sang Xiao Niang ” travel, back to the map and drawn together, painted through the murals The textual research of the age provided a new idea of documentary argumentation for the dating of contemporary murals remaining in Yulin area.