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《追凶者也》保留了曹保平之前作品的一贯风格:高强度的戏剧冲突、细腻的人物塑造、极致的心理状态及所要表达的郁积情感等。这些特征也让曹保平的作品成了名副其实的“作者电影”。加之整部影片所表现出的黑色幽默,以及别出心裁的分段叙事等,也创新了犯罪电影的叙事方式。本文将从人物塑造、叙事结构以及其表现出的寓言式黑色幽默等三个方面来探究《追凶者也》的叙事艺术。
“Chasing the Killer also retains the usual style of Cao Baoping’s previous works: high-intensity drama conflicts, delicate characterization, extreme psychological state and the expressed feelings of depression and so on. These features also make Cao Baoping’s work a veritable ”author movie.“ In addition, the black humor displayed by the entire film, as well as the piecemeal narration of originality, also innovated the narrative way of criminal films. This article will explore the narrative art of ”chasing the perpetrators" from three aspects: characterization, narrative structure and the allegory-style black humor that it displays.