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数字化是人类进入二十世纪后期以来的典型时代特征。美术在数字化的引导下也发生了深刻的变化。美术与科技紧密结合,数字化的复制和传输为图像艺术的普及与融合提拱了条件,使艺术呈现大众化和全球化的趋向。大美术观念的提出体现了图像为主的时代面前艺术存在与发展的新要求,大美术一方面体现在艺术的广度上,“美”的无处不在。另一方面,体现艺术的深度,表现生命和宇宙的大气息、大气象,展现人类精神的恢宏与阳刚。
Digitization is a typical characteristic of the times since mankind entered the late twentieth century. Art under the guidance of the digital has undergone profound changes. Art and technology are closely integrated. Digital copying and transmission provide the conditions for popularization and integration of image art, making the art popular and globalized. The proposal of the concept of big art embodies the new requirements of the existence and development of art before the era of image-based art. On the one hand, big art embodies in the breadth of art and the beauty of beauty everywhere. On the other hand, embodying the depth of art, expressing the atmosphere and atmosphere of life and the universe, shows the grandness and masculinity of the human spirit.