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还是在90年代初,应日本友人赖成为住和日本著名尺八演奏家三好芜山先生相约为日本京都访华艺术团写点什么并藉此纪念中日邦交正常化,鲁日融先生慷慨应允后寻思道:在唐代从中国传到日本的尺八,深受广大人民的喜爱,这种作为中日友好关系见证的乐器,形成了日本主要的音乐文化。而作为日本传统文化的中枢的日本京都,尺八演奏更是备受钟爱。很快,一段乐思生成,旋即一部作品雏形已在他脑海中酝酿开,抓住这个灵感找到了一位合作者——西安音乐学院一位作曲研究生。在两人友好、默契的合作之下,由鲁日融、张晓峰作曲的《寻觅——日本尺八与中国曲笛(兼碰铃)、二胡、扬琴
At the beginning of the 1990s, when Japan’s friend Lai became the resident and Japanese famous tapestry player Miyakono Kazuyoshi invited to write something about Japan’s Kyoto delegation to China and commemorated the normalization of diplomatic relations between China and Japan, Mr. Lu Rongrong generously agreed After thinking: In the Tang Dynasty came to Japan from Japan, Shakuhachi, by the majority of the people’s favorite, this Sino-Japanese friendship as the witness of the instrument, the formation of Japan’s major music culture. As Japan’s traditional culture in Japan’s central Kyoto, ruler playing is even more beloved. Soon, a music generation, soon a prototype of work has been brewing in his mind, to seize this inspiration to find a collaborator - a composer Xi’an Conservatory of Music. In the friendly and tacit cooperation, Lu Rialong, Zhang Xiaofeng composer "looking for - Japanese foot eight and China Qudi (and touch the bell), erhu, dulcimer