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我馆藏瓷器中有明清两代建瓷数件,如:带有“天启年”款的建瓷白釉高髻坐式观音,清代坐式观音,弥勒佛,及贴花、堆花、印花角杯。从其制作工艺来讲,以明代塑像为最佳,清代观音、弥勒次之,角杯以贴花最劣,堆花次于印花,然而印花又不及刻花。清代坐式观音,通高20.5厘米,双目微启下视,右手着物上举胸前,左手放置左膝上,左腿半蹲露脚,右腿后曲,席地而坐。观音的身材苗条,面部稍瘦而扁,五官较平,缩咀秃下巴。胸前佩带大而笨拙的相饰,双眉间未见毫相。此观音雕塑工艺较粗
My collection of porcelain in the Ming and Qing dynasties have built several pieces of porcelain, such as: with the “Apocalypse” section of the porcelain white glaze sitting Bunny Guanyin, sitting in the Qing Dynasty Guanyin, Maitreya Buddha, and decals, piles, printing Corner cup. From its production process is concerned, the statue of the Ming Dynasty for the best, the Qing Dynasty Guanyin, followed by Maitreya, corner cup with the worst applique, the second was spent in printing, but printing is less than carved. Sitting in the Qing Dynasty Quan Yin, 20.5 cm high, eyes open under the microscope, the right hand holding the chest, the left hand placed on the left knee, left leg squatting legs, right leg back song, sitting on the floor. Guanyin slender body, the face slightly thin and flat, facial features more flat, shrink Tsui Bald Chin. Chest wearing a large and clumsy phase decoration, eyebrows no milliphase. This Guanyin sculpture process is thick