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书法是中国艺术的瑰宝,因为它植根于中国的汉字,而汉字是中国文化的精髓,其造字之始即与天地万物宇宙之理相表里。所以,书法亦如王羲之所说“书之气,必达乎道,同混元之理”。其核心就是用笔。书法是一种自然放松张开的艺术,它与人的生理结构贯通,具有快慢相随、刚柔相济的特点,如太极拳。一幅充满生气的书法作品,离不开笔墨间充满了的气。所以,运气与用笔特别重要。一、用笔与运气从书法与气功的理论来说,两者有着血肉的联系。用笔之用在于动,“动”则是气血的作用。唐代书法家张怀瓘曰:“夫书:
Calligraphy is a treasure of Chinese art, because it is rooted in Chinese characters, which are the quintessence of Chinese culture. The origin of characters is the same as that of the universe of all things in the universe. Therefore, the calligraphy, as Wang said, ”the atmosphere of the book, it will Da Road, with the principle of mixed yuan.“ The core is to use a pen. Calligraphy is a natural, relaxed and open art, which links with the physiological structure of human beings. A vibrant calligraphy, inseparable from the fullness of the atmosphere. Therefore, luck and pen are particularly important. First, with pen and luck From the theory of calligraphy and qigong, the two have a flesh-and-blood relationship. The pen is used to move, ”move “ is the role of qi and blood. Zhang Huai calligrapher of the Tang Dynasty said: ”" book: