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绘画创作就同人世间一切生活一样,画家总想通过构建各种不同丰富的艺术形象实现其完美的艺术境象,使其成为画史之经典。在多数艺术家眼里,只有让每个作品的主题、细节呈现出充实至美,即所谓的大而全画面,才是艺术家心目中最理想的审美图式。以法国18世纪新古典主义代表人物达维特众多作品为例,这是一位喜欢再现场面气势宏大和气氛热烈壮观的画家。他通过《拿破仑一世与皇后加冕礼》《网球厅》等创作,来实现其内心的古典主义艺术情结——一种视完美充实为绘画最高准则的画家。比如他以精湛的技艺描绘其画面众多的人物形象和道具等并构成诸多错综复
Painting is just like all life in the world. The painter always wants to realize his perfect art scene by constructing various rich artistic images, making it a classic of the history of painting. In the eyes of most artists, it is only the most ideal aesthetic schema in the eyes of the artist that the theme and details of each piece of works exhibit the fullness of the beautiful, the so-called big and full-frame picture. Take the example of David Davitt, a representative of the 18th century French neoclassical, who is a painter who likes to show the magnificent atmosphere and the spectacular atmosphere. Through his creation of “Napoleon I and the Queen Coronation” and “Tennis Hall”, he achieves the innermost classical art complex - a painter who sees perfection as the highest standard of painting. For example, with his superb skill portrayal of many of his images and props, and constitute a number of intricate