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黑龙江省肇源县白金宝遗址第二期遗存,在房址、灰坑及出土遗物类型方面,均表现出自身的特点。尤其是高领鼓腹鬲、绳纹和几何篦纹等新文化因素的出现,使其器物组合反映的文化面貌既区别于此前的小拉哈文化,又不同于学术界已熟知的白金宝文化。鉴于对这类遗存空间分布的了解和时间上、下限的把握,本文提出按白金宝遗址各期文化堆积形成时序,命名为“白金宝二期文化”。将这类遗存确立为一种独立的考古学文化,不仅考虑到其自身的文化特征,同时也比照了周邻地区考古学文化的编年与序列。从连接小拉哈与白金宝文化之间承上启下的发展进程来看,白金宝二期文化具有过渡文化的属性。所以这一文化的识别与认定,对松嫩平原青铜文化序列的建立和谱系研究意义重大。
The remains of the second phase of the Baijinbao site in Zhaoyuan County, Heilongjiang Province, all show their own characteristics in terms of house sites, ash pits and types of relics unearthed. In particular, the appearance of new cultural factors such as high belly drum belly, jacketed lines and geometrical gingival pattern makes the cultural appearance reflected by the combination of artifacts not only differentiate from the earlier small-scale Laha culture but also from the Platinum Culture well-known to the academic circles. In view of the understanding of the spatial distribution of such relics and their grasp of the time and the minimum, this paper proposes that the formation of the sequence of cultural accumulation of Platinum Bao ruins, named “Platinum 2 Culture”. The establishment of such a relic as an independent archaeological culture takes into account not only its own cultural identity but also the chronology and sequence of archaeological cultures in the surrounding area. From the link between small Laha and Bai Jinbao culture between the up and down the development process, Platinum Bao two culture has the properties of transitional culture. Therefore, the recognition and identification of this culture is of great significance to the establishment and pedigree of the bronze cultural sequence in the Songnen Plain.