王弼作为魏晋玄学创始人之一,以其特有的解构和思辨功夫沟通并调和儒道,在儒家圣人中注入道家自然的因素,提出了一系列哲学命题。诸如“以无为本”、“得意忘象”、“大音希声”的哲学命题后来被引申到美学领域,影响深远。本文尝试将王弼的玄学与美学思想做一番简要的剖析,借以探讨二者的相互关系。 As one of the founders of Metaphysics of Wei and Jin dynasties, Wang Bi put forward a series of philosophical propositions by communicating with Confucianism and Taoism through his unique deconstruction and judgmental kung fu, and infusing the Taoist nature into Confucian sages. The philosophical propositions such as “Inaction ”, “Happy Forgetment ” and “Big Symphony of Hope ” were later extended to the field of aesthetics and far-reaching. This article tries to make a brief analysis of Wang Bi’s metaphysics and aesthetics, in order to explore the mutual relationship between the two.