一、绘画色彩所研究的范围大体有四个方面:光源色、环境色、固有色、情绪色,前两个方面较重理性,后两个方面则较重感性。 二、“没有光就没有色彩”这话没错。光的照射笼罩一切,是色彩的“因”,彩画就是画各种光感,所谓“绘画调子”说到底也是光感。 三、绘画与物理学在色彩观念上稍有不同,绘画承认固有色的存在,因为它只重视视觉印象,如叶是绿 First, the scope of the study of painting color in general there are four aspects: light color, environmental color, intrinsic color, emotional color, the first two aspects of heavier rationality, the latter two aspects are more sensual. Second, “there is no light there is no color” This is true. Light shrouded everything, is the color of “cause”, color painting is to draw a variety of light perception, the so-called “painting tone” in the final analysis is light perception. Third, the concept of painting and physics is slightly different in color, painting recognizes the existence of natural color, because it only attaches importance to visual impression, such as leaves are green