面对实体写生,无论中西方绘画,还是古代当下,都是绘画学习以及创作的一项重要形式。古今中外,关于写生意义的论述不胜枚举,亦是绝大多数画家接受并践行的重要学习和创作手段。在中国画领域,自宋元之后,文人画成为主导,发展至清代,写生之风,式微之至,画家居于书斋,有法帖画谱,便可陈陈相因,家山自造,“家家一峰,个个大痴”。将中国绘画带入形式老套,笔墨僵化,面貌雷同,了无生机的窄胡同。时至当下,仍有画家高举继承传统的大旗,只知临习前人,照搬今人,全无自我。在艺术修 In the face of physical sketching, both Chinese and western paintings and ancient times are an important form of painting learning and creation. At all times and in all countries, there are many expositions on the meaning of sketches, which are also important learning and creative means accepted and practiced by most painters. In the field of Chinese painting, since the Song and Yuan dynasties, literati painting became the dominant trend of Qing dynasty and the sketching of life style. When the painters lived in the study room, A peak, all crazy. " Bringing Chinese painting into stereotypes, rigid brushstrokes, similar appearances, and a lifeless narrow alley. Up till now, there are still painters holding high the banner of inheriting the tradition and only learning to practice their predecessors and copying the present without any self. In the art repair