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二胡是我国最具代表性的民族乐器之一,自刘天华创作的十首二胡独奏曲以来,我国专业二胡音乐创作已经经历了一个世纪,此后的这段时间有大量的作曲家为专业二胡音乐的创作做出了大大小小的贡献,王建民是20世纪80年代以来在民乐创作领域最具代表性的作曲家之一。他创作的二胡狂想曲系列作品中西合璧,雅俗共赏,是近年来海内外民族器乐大赛必奏曲目之一。本文通过对王建民四部狂想曲中《第二二胡狂想曲》作曲技法的分析,在此基础上论述了音乐创作与音乐表演的紧密联系与相互促进作用。
Erhu is one of the most representative national musical instruments in China. Since ten erhu solos created by Liu Tianhua, erhu music has been going through a century. Since then, a large number of composers have been engaged in erhu music Has made great and small contributions to the creation. Wang Jianmin was one of the most representative composers in folk music since the 1980s. His erhu Rhapsody series, written in Chinese and in the West, enjoys both popular and popular tastes. He is one of the repertoire of the national instrumental music contest at home and abroad in recent years. Based on the analysis of composer technique of “The Second Erhu Rhapsody” in Wang Rumin’s four rhapsodies, this article discusses the close connection and mutual promotion of music creation and music performance.