中国山水墨彩画,始于三国隋唐,成熟于唐末五代,是反映时代思想精神及美学品味发展的最佳温度计,发展至今,大约经历过三大转变。五代至北宋初期,是中国山水画史上第一个艺术风格爆发期。此一时期,山水画在构图上,由模拟纪实式的通景,转化入宾主分明的造景;在主题上,则由历史、掌故、叙事,转向兴怀、寓意、抒情;在技巧上,以水墨表现为主,以钩彩敷色为辅。“外师造化,中得心源”的美学原则,在画家纷纷创造自家独特的商标皴法及 Chinese ink and wash paintings, which originated from the Sui and Tang Dynasties of the Three Kingdoms and matured in the late Tang and the Five Dynasties, are the best thermometers that reflect the development of the spirit of the times and aesthetic taste. So far, they have undergone three major changes. The Five Dynasties to the early Northern Song Dynasty, is the first Chinese art history in the history of the explosive style. During this period, the landscape painting is composed on the compositional map, which is transformed from the imitation documentary style scenery into the unique scenery of the guests. From the history, anecdotes and narratives, the landscape paintings turn to Xinghuai, morality and lyricism. Ink performance-based, supplemented with hook color. “Outside the good fortune, in the source of heart ” aesthetic principle, in the painter have to create their own unique trademark law and