论文部分内容阅读
在梅、程、尚、荀四大艺术流派争妍斗艳的当时,北京京剧舞台上异军突起地出现了一个专演“花旦”的艺术流派——“筱(翠花)派”。清末民初时期,京剧舞台上的“花旦行”曾出现过不少“好佬”——田桂凤、郭际湘、杨小朵、路三宝……等,但都未成流派。筱翠花能独树一帜以演“花旦”戏而享名梨园,自成一家,实非偶然。筱翠花扮相美,眼神好,身材苗条。两次坐科,基本功底子厚,砸得磁实。师承多,戏路广,私下旨用苦功,台上做得出来,有表演天才。不论演什么戏,有传
In May, Cheng, Shang, Xun and the four major art schools fought Yan Yanduan brilliant, Peking Opera appeared on the stage of a sudden emergence of a dedicated “Huadan” art genre - “Xiao (Cuihua) School.” At the end of the Qing Dynasty and the beginning of the Republic of China, many “good guys” - Tian Guifeng, Guo Jixiang, Yang Xiaoduo and Lu Baibao - had appeared in the “Hua Danhang” on the stage of the Beijing Opera. Xiao Cuihua can be unique to play “Huadan” opera and enjoy pear orchard, since the formation of one, it is no accident. Xiao Cuihua disguised beauty, good eyes, slim body. Two sit subjects, basic foundation thick, smashed magnetic. Teacher Cheng Duo, playful road, private purpose to use hard work, the stage can be done, a genius performance. No matter what stage play, there are pass