从上世纪九十年代开始,中国散文数量激增,风格多样,“文化散文”“小女人散文”“新生代散文”等等层出不穷,表面上看,散文处在一个莺歌燕舞、众声喧哗的时代,其实,大量的散文不免虚弱、苍白,视野狭隘,休闲气、脂粉气过重,作家较多地叙述历史的轶闻趣事,津津乐道的是风花雪月,? Since the nineties of last century, the number of Chinese prose has surged and its styles have varied. “Cultural Prose,” “Little Woman’s Prose,” “New Generation’s Prose,” and so forth are endless. On the surface, the essay is in an era of Yinggeyan dance, In fact, a large number of prose can not help but weak, pale, narrow-minded vision, leisure, excessive gas powder, writers narrate anecdotes more historical anecdotes, talked about is romantic?