听了谭盾的音乐《九歌》,我仿佛圆了一个童年的梦。 我的童年、少年和青年时代,都是在屈原写《离骚》《九歌》的楚国南郢之邑,沅湘之间的“蛮荆”之地度过的。因为,我就是“荆蛮族”的人。 前人对沅湘的印象,似乎是从两位古人那里得来的。一位是东汉人王逸,他的评价是:“昔楚国南毁之邑,沅湘之间,其俗信鬼而好祠,其祠必作歌乐鼓舞以乐诸神”。另一位是南宋人朱熹,他的评价是:“其俗信鬼而好祀,其祀必使巫觋作乐,歌舞以娱神。蛮荆陋俗,词既鄙俚,而其阴阳人鬼 After listening to Tan Dun’s music “Nine Songs,” I seem to have rounded up a childhood dream. My childhood, adolescent and youth were all spent in Qufu’s “Qujing” land between the south of Chu State of Chu State and the “Nine Songs” written by Qu Yuan. Because, I am a “barbarian” person. The previous impression of Yuanxiang seems to have come from two ancients. One is the Eastern Han Dynasty Wang Yi, his evaluation is: “Xi Chu destroyed the ancient city of the South, between the Yuanxiang, its vulgar letter and a good temple, its shrine will be encouraged by music and music gods.” Another is the Southern Song Dynasty Zhu Xi, his evaluation is: "The vulgar believers and good sacrifices, their worship will make witch happy, singing and dancing to entertain God .Wanese Jing vulgar, the word despicable, and its Yin Yang ghost