究竟该如何将世俗的语言铺垫成一首诗?是陷入先验的载道泥淖,为了什么而作或者追求诗歌形而下的诗外意义,还是跟随诗意的牵引随意赋形?如果将诗歌视为语言的孕育者,一直以创造的姿态引领着语言前行的步伐,那么后者显然是良途。将神秘至于天赋的诗意体验赋予滞后的语词,而非执拗于从现有词汇中发掘诗意,是优秀的诗篇萌生的惯例。冯晏的诗就是在不停 How to pave the way for secular language into a poem? Is it a transcendental eloquence, for what purpose or for the pursuit of poetic metaphysical significance, or follow the poetic traction at will? If poetry as a language Pregnant, has been created to lead the pace of language forward, then the latter is clearly a good way. Rather than stubbornly exploiting poetic meaning from the existing vocabulary, it is an excellent practice to sprout the poetic experience of the mystical genius. Feng Yan’s poetry is non-stop