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线描,作为工笔人物白描法唯一的表现语言,从结构出发,以线造型是其最基本的表现原则。但由于中国线描艺术特有的东方绘画审美情趣,线的运用既表现了对象,又表现了自身。表现了对象是指利用线各种方式的组合排列,相对准确生动地塑造了形象;表现自身则是指线的组合排列在近千年的发展过程中,不仅形成了中国线描艺术特有的表现程式,使线具有了东方意蕴的特有美感,强化了线的形式趣味,而且使线的运用方式带有了个性化的特质。在美术教学中,让学生理解“线表现对象”相对来说比较容易,理解并应用“线表现自身”则难得多了。为此,在《线的魅力》一课中,笔者做了一些尝试。
Line drawing, as the only expressionistic style of the sketchy figure, is based on the structure. The line modeling is the most basic principle of expression. However, due to the aesthetic taste of oriental painting unique to Chinese line art, the use of lines not only shows the object but also manifests itself. The performance of the object refers to the use of a combination of various combinations of lines, relatively accurately and vividly shape the image; performance itself is the combination of lines arranged in the course of nearly a thousand years of development, not only formed a typical Chinese line drawing performance program , So that the line has the unique aesthetic sense of the East, strengthening the fun of the form of lines, but also to make the use of the line with a personalized trait. In art teaching, it is much more difficult for students to understand that “line objects” are relatively easy to understand and apply “line express themselves”. To this end, in the “line charm” class, I made some attempts.