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《大还阁琴谱》(1673)之前的古琴记谱法 ,还未有用徽分 ;徽位间之按音 ,是用“简略”的记谱法 ,例如用“八九”代表八徽九徽之间的音。只写单一徽位的按音 ,例如十一徽、十徽等 ,如果准确地按正徽位 ,据本文探讨 ,弹奏时不论用三分损益律或纯律调弦 ,均会出现效果不好的混合律。所以 ,单一徽位的按音亦可以是“简略”之记谱 ,音位可因应音律而按在徽位微上或微下。明朝调弦法之单一徽位按音 ,便不可以用作证据 ,去论说琴曲是否用纯律。弹奏明朝琴曲的变音 ,按音之间高亦可以较弹性处理 ,令琴曲更多韵味。
Before the “Great Symphony of Music” (1673) before the Guqin Notation, not yet useful emblem; press the emblem between the press, is the “abbreviated” notation, for example, with “eight nine” on behalf of Eight emblem nine Sound between the emblem. Only write a single badge of the press, such as the eleven emblem, ten emblem, etc., if accurately according to the emblem, according to the discussion of this article, playing, regardless of the use of one-third of income law or pure law tuning, will have no effect Good mixing law. Therefore, a single emblem of the press sound can also be “simple” of the notation, the phoneme can be in accordance with the temperament and press the emblem micro or micro. When the single emblem of the Ming Dynasty’s tuning method presses the sound, it can not be used as evidence to say whether the music is purely musical. Play the melody of the Ming Dynasty diacritics, according to the high tone can also be more flexible, so that the song more charm.