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后现代空间哲学十分重视藉由多元异质性来质疑真理唯一性,女性书写文学在此基础上形成了对父权制逻格斯进行深入批判的学理延伸,英国作家玛格丽特·德拉布尔的《瀑布》即这样一部作品。小说主张回归母亲生理经验、话语及无意识等女性气质,并提出了重构女性空间的政治诉求。本文通过女性书写与空间批评的双重视阈,阐释了女主人公简·格雷如何利用母体表征空间和体现为“间质空间”转换叙述、“平滑空间”矛盾修辞及“原空间”延异结局的记号语言表征空间以实现女性身份认同的空间实践,从而指明其主体建构的僭越路径。
Postmodern space philosophy attaches great importance to questioning the uniqueness of truth through multiple heterogeneity. On this basis, female writing literature has formed an academic extension of Logoches’ patriarchal criticism. The English writer Margaret Drabble’s “Waterfall” is such a work. The novel advocates a return to femininity such as mother’s physical experience, discourse and unconsciousness, and puts forward the political appeal to reconstruct the feminine space. This article explains how the heroine Jane Gray used the matrix of mother characterization and the transformation of narrative as “interstitial space ”, “smooth space ” contradiction rhetoric and “the original space through the dual perspective of female writing and space criticism, ”Extension of the ending of the mark language to characterize space in order to achieve the spatial practice of women’s identity, thus indicating the path of its subject construction over.