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本文通过对收藏于英国伦敦大英博物馆的清代苏州早期套色年画的发现与论证,梳理出明代后期套色版画与清代年画运用套色技巧的继承关系,并阐明苏州早期年画含有更多的雅化因素,与清后期桃花坞年画的风格不同,弥补了版画史和年画史研究中的空白。
Based on the discovery and demonstration of the early chromatic New Year paintings of Suzhou collected in the British Museum in London, England, this paper combs the succession relationship between the chromatic prints in the late Ming Dynasty and the chromatic techniques used in the New Year paintings of the Qing Dynasty. It also illustrates that the early New Year paintings in Suzhou contain more elegant elements , Which is different from the style of the New Year Paintings of Taohuawu in the late Qing Dynasty to make up for the blank of the history of printmaking and the history of New Year paintings.