如何能够准确理解新中国1949年至1976年的艺术变革,其中,似乎应更多地关注到文化与政治的关系问题,并置于艺术、制度与观念的演进中去把握,才能有效地呈现这一时期“文艺转向”中所蕴含的“现代性”转向的意义。在学术界,关于中国现代性问题的论述中,我们可以看到,仅就艺术的视角来讨论政治现代性的兴起、发展与成熟而导致的不同艺术形态的生成,需要特别强调新中国在中国现代艺术史中的开创性 How to accurately understand the changes of art in New China from 1949 to 1976, in which it seems that more attention should be paid to the relationship between culture and politics and to be grasped in the evolution of the arts, systems and concepts so as to effectively present this The Significance of the “Modernity” Implied in the “Literary Turn” in a Period. In academia and in the discourse on China’s modernity, we can see that the discussion of the emergence of different forms of art resulting from the rise, development and maturity of political modernity from the perspective of art requires special emphasis on the new China in China Pioneering in the History of Modern Art