纵观焦菊隐的一生,可以看出他首先是一位杰出的导演实践家。在社会主义的舞台上,他以自成系列的舞台艺术成果,体现了他在艺术探索上的明确目标,展示出他的导演学派的独特面貌。同时,又可以看到他每个阶段的舞台实践,都有一定的艺术思想做指导,而且每当他在艺术思想上有所突破与发展的时候,他总是先付诸实践,然后在实践经验的基础上,再进行理论性的总结,他的许多重要理论文章都是这样写出来的。然而,令人十分惋惜的是他没来得及在他的艺 Throughout Jiao Juyin’s life, we can see that he is first of all an outstanding director practice. On the stage of socialism, his own series of stage art achievements embody his definite goal in artistic exploration and show the unique appearance of his directorial school. At the same time, he can also see that his stage practice in each stage has some artistic thought as a guide, and whenever he breaks through and develops in artistic thinking, he always puts it into practice before putting it into practice Based on experience, and then theoretical summary, many of his important theoretical articles are written in this way. However, it is very regrettable that he did not have time in his art