《野人》爬了一个陡坡,它使高行健达到一个前所未有的高度。与《喀巴拉山口》、《躲雨》、《模仿者》、《行路难》、《独自》等短剧的各种单项试验不同,《野人》将歌舞、音乐、面具、傀儡、哑剧、朗诵熔于一炉,探索一种将众多的艺术要素加以综合的总体戏剧;以此表现艺术家所认识的人类情感,并将这种内在的情感系统呈现出来,诉诸观众的视听,供人观赏;以总体的艺术气氛,去激发观众深层的意识、思想、情感和本能。多年以来,我们的话剧为“话”所限,言语主宰着一切,大多数演出看上去仅仅是台词的一种物质外 The Savage climbed a steep slope, which made Gao Xingjian reach an unprecedented height. Different from the individual trials of the short plays such as “Kampala Pass,” “Shelter,” “Imitation,” “Difficult Roads,” and “Alone,” “Savage” separates songs and dances, music, masks, puppets, Recite melts in a furnace, explores a kind of overall drama that integrates many artistic elements; in order to show the human emotion that the artist understands, presents this kind of inner emotion system, appeals to the audience’s audiovisual, ; To stimulate the audience’s deep awareness, thoughts, emotions and instincts in an overall artistic atmosphere. Over the years, our plays have been limited by “words”, words dominate everything, and most of the performances appear to be merely a material outside of lines