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战争是英国新上任的桂冠诗人卡罗尔.安.达菲诗歌创作的主题之一。国内外学者大都聚焦于其诗歌所反映的性别、自我、身份等问题,而忽略了她的反战主题。达菲认为战争即悲剧。在“流星”一诗中,达菲采用魔幻现实主义的手法,让一位犹太妇人的亡灵打开尘封的记忆,以碎片式的叙事形式,借助“流星”、“戒指”、“强暴”、“弑婴”等象征隐喻,讲述了自己和他人在纳粹集中营所遭受的残害与蹂躏,揭露了战争的罪恶本质,表达了对人世间战火依旧不断,人们迅速遗忘了战争的残酷,继续淡漠生命的尊严所产生的深切忧虑以及对世界和平的渴望。诗中人鬼对话并非灵异巫术,而是诗人借助亡灵之口,表达反战的心声。
The war is one of the main themes of the poetry creation of Carol Laurent, the newly appointed laureate poet in Britain. Most scholars at home and abroad focus on the issues of gender, self and identity reflected in their poems, while ignoring her anti-war theme. Duffy considers war a tragedy. In the poem “Meteor”, Duffy uses magical realism to expose the souls of a Jewish woman to a dusty memory. With fragments of narrative form, with “meteors,” “rings, ”,“ Rape ”,“ baby boy ”and other symbolic metaphors about the mutilation and ravages suffered by themselves and others in Nazi concentration camps, exposing the evil nature of the war, expressing the constant war on the human world, The cruelty of the war was quickly forgotten, the deep concern that continued to be indifferent to the dignity of life and the thirst for world peace. Dialogue between people and ghosts in poetry is not supernatural witchcraft, but poets use the mouth of souls to express the voice of anti-war.