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作为20世纪初期先锋派创始信条之一的建筑的政治潜力,如今在人们看来,它在经济现状和“建筑共生于现有权力结构”的观念面前变得不堪一击。然而,这一观点不仅仅与20世纪六七十年代的新兴先锋派的崛起事实相违背,而且还有违于一种新兴实践活动,这种实践活动能够充分证明社会与政治重新联姻的现实,并突出了建筑在这个联姻过程中发挥的关联作用。此次有关纽约现代艺术博物馆(MOMA)收藏建筑作品的展览向观众展现了一系列新鲜前卫的理念。在过去的半个世纪里,面对变幻莫测、时刻演变的政治环境,建筑师充分发挥他们的聪明才智,在其专
The political potential of buildings, one of the pioneering creeds of the early twentieth century, is now perceived by people as vulnerable to the economic realities and the notion that architecture is interwoven with existing power structures. However, this view runs counter to the rise of the emerging avant-garde in the 1960s and 1970s, and runs counter to an emerging practice that can fully prove the reality of social-political re-marriage. And highlighted the role that architecture plays in this marriage. The exhibition on the collection of architectural works by the Museum of Modern Art in New York (MOMA) presents a series of fresh avant-garde concepts to the audience. In the past half century, in the face of unpredictable and evolving political environment, architects give full play to their talents.