光与物质性是一对关系非常特殊而有趣的概念。人们对物质性的感知,视觉占据首要的位置,特别是在传媒信息异常发达的当代。光是人们视觉感知的基础,同时构成了视觉上的物质性。然而,光既可以构建视觉上的物质性,同时也可以诋毁这种物质性,无论是过强或过弱的光线都会减损这种物质性在视觉上的存在感。这使得光线成为一种十分敏感而又难以控制的因素。间舍—私人美术馆—作为这个项目的功能预设,将崛起于一片由粗糙的临时建筑和农田混乱形成的城乡结合处之中。显然这里是一片典型的中国城市化快速发展进程中的乡村场景。为了寻求速度,各种务实的、临时性的举措随处可见:人们在临时堆垒而成的土丘上种植玉米或其他作物;临时开挖的明沟代替被建筑废料倾倒掩埋了的原本自然形成的冲沟;在田野间随意架设的水泥电线杆; Light and materiality are a pair of very special and interesting concepts. People’s perception of materiality, visual occupy the first place, especially in the era of media information developed anomalies. Light is the basis of people’s visual perception, while constituting the visual materiality. However, light can both construct visual materiality and at the same time discredit the materiality. Whether it is too strong or too weak, it will impair the material existence of visual existence. This makes light a very sensitive and unmanageable factor. Private homes - private art galleries - as a function of the project, will emerge from a combination of urban and rural areas created by rough temporary structures and agricultural fields. Obviously, this is a typical rural scene in the process of rapid urbanization in China. In pursuit of speed, a variety of pragmatic and ad hoc initiatives are commonplace: people grow corn or other crops on temporarily erected mounds; and dug up temporary ditches instead of dug into natural, Gully; cement poles freely erected in the fields;