灵感是人的潜意识在艺术创作中的表现,它是一种客观存在,是作家、艺术家在创作中的特殊心理。中国传统艺术十分重视灵感,冈布里奇在《艺术和幻觉》中提到:“没有一种艺术传统要比中国古代的艺术传统更加竭尽全力于灵感的追求。”八十年代中期,在钱学森的倡导下,中国学术界在思维由抽象思维和形象思维组成的基础上,再分出了“灵感思维”。所谓灵感思维,是通过潜意识对问题的酝酿而显现于显意识的顿时感悟的思维,即顿悟。灵感思维与写作有着十分密切的关系。写作者以他独特的敏锐的触角去感受世界,接受 Inspiration is the manifestation of human subconsciousness in artistic creation. It is an objective existence, and it is a special mentality of writers and artists in their creation. Traditional Chinese art pays great attention to inspiration. In “Arts and Illusions”, O.Gombridge mentioned: “There is no artistic tradition that is trying harder to pursue the inspiration than the ancient Chinese art tradition.” In the mid-eighties, Under the advocacy of Qian Xuesen, Chinese academia divided the “inspiration thinking” from the basics of abstract thinking and image thinking. The so-called inspirational thinking is the thinking that emerges from the conscious of the subconscious mind and manifests itself in vivid consciousness, namely, epiphany. Inspirational thinking has a very close relationship with writing. Writer to feel the world with his unique keen touch, accept