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“濂洛风雅”是以理学为精神底蕴、代表“濂洛诗派”审美倾向和艺术风格的诗作。从周敦颐、程颢到杨时、陈渊等的诗歌创作,显示为濂溪范式、明道范式和道南范式的承传延衍过程。“濂洛风雅”所表现的诗歌语言风格、诗歌审美境界以及独特文化心理意识、社会心理意识,在比较深刻的层次上反映了理学家的灵魂,它的各种范式都融入了各自的学术个性。
“Luo Luo style” is based on the spirit of Neo-Confucianism, on behalf of “Miluo School” aesthetic tendencies and artistic style of poetry. From Zhou Dunyi, Cheng Xuan to Yang Shi, Chen Yuan and other poems, it shows that the Sui River paradigm, Ming Road and South Road form inheritance and extension of the process. The poetic language style, the aesthetics of poetry, the unique cultural psychology consciousness and the social psychology consciousness represented by “Luo Luo Fu Ya” reflect the soul of the Neo-Confucianist at a deeper level, and all its paradigms are integrated into their own academic personality .