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鼓吹乐自从形成就融入到民间的婚丧嫁娶的民俗礼仪中,和我国大江南北民间的婚丧嫁娶的民俗礼仪浑然一体密不可分。丧葬礼俗在中国历史悠久,其独特的魅力与丧葬礼俗密不可分,自古形成了一种信仰体系、一种信仰文化。本文从费县的民俗和鼓吹乐两个方面对费县的丧葬仪式用乐的发展状况进行了比较分析,在多场场田野调查基础上,以被局内人称为“叭喇匠子”的鼓吹乐班中,以实地考察的丧葬仪式个案为例,展现费县丧葬仪式用乐的历史和时代的特征。发现由于历史和时代的特征正在逐渐走向变异和消亡。抢救文化遗产是后人义不容辞的责任,通过这场丧葬仪式用乐研究,希望能够客观真实地反映费县丧葬仪式用乐的历史和时代及其文化背景的全貌和特点,进而为探索费县民间“叭喇匠子”在现代社会条件下正常发展的轨迹提供新的研究成果和启示。
Promoting music since the formation of integration into the civil marriage and funeral of folk etiquette, and our civil marriage and funeral civil and folk ceremonies seamless integration are inseparable. Funeral Etiquette has a long history in China, its unique charm and funeral etiquette are inseparable, since ancient times formed a belief system, a belief culture. This article makes a comparative analysis of the development of music funeral ceremony in Fei County from two aspects of folk custom and advocating music in Feixian County. On the basis of field investigation, In the music class, a case study of funeral rituals in the field was taken as an example to show the history of the funeral rituals and the characteristics of the times in Fei County. It is found that the characteristics of history and time are gradually changing and disappearing. Rescuing the cultural heritage is the bounden duty of the descendants. Through the study of this funeral ritual, I hope to objectively and truthfully reflect the history and history of the Funeral funeral rituals and the whole picture and features of its cultural background. “Bull Lama Tsimiko ” in the modern society under the conditions of the normal development of new research results and enlightenment.