年初的歌坛,一如往常,是各类颁奖的天下。不同以往的是少了硬着头皮的欢喜,多了些发人深省的沉思。在浮华炫丽的盛典之外,各方评论,指斥多于褒扬,反省多于张狂。连圈中人士也很少明白地表示不悦,究其原因,也许是因为近年来中国歌坛的每况愈下,让音乐人少了些底气;也许干脆是由于屡屡受挫,而渐至颓丧无力。过去的一年,确实算得歌坛的多事之秋。从年初的毛宁遇刺事件,到红豆案发;从田震南京愤而摔话筒引发的争议,到远华案涉两名红歌星事实上的“曝光”。歌坛一年中未有多少名曲流传,却见负面新闻频出。及至检点收成,不禁有些灰头土脸。流年中国歌坛已是流年不利。从“九四辉煌”至今,歌坛向下的曲线仍然绵延不 The beginning of the song, as usual, is the world of various awards. Different from the past is less bite the joys, more thought-provoking. In the flashy dazzling ceremony, the parties comment, denounce more than praise, reflect more than insolence. People in the circle rarely express their dissatisfaction with the study. The reason may be that the Chinese music scene has deteriorated in recent years, leaving the musicians with less confidence. Maybe it simply has been frustrated and gradually weakened. The past year, really count the song of the eventful autumn. From the assassination of Mao Ning at the beginning of the year to the case of red beans; from Tian Zhen Nanjing anger throwing a microphone controversy, to the case of Yuanhua case involving two red singers in fact “exposure.” Not many songs in the song a year, but negative news frequently seen. To checkpoint harvest, can not help but some depressed. Fleeting Chinese singer is a dilemma. Since the brilliant “Nine-four” up to now, the sinuous downward curve is still not