《归乡行》是一盆三干的老榆桩配之龟文石而成的水旱盆景,虽有不足之处,但也颇见作者的功力。以图片而言,临水枝处理的确不尽人意,就象有的同志所言“风格极不统一”,“显得极其呆板,缺少生气”。这些评语虽然偏激一些,但不无道理。从图可知临水枝造型手法与主干(中干)和右干是不协调的。后二者形态较灵动自然,富有生机,属于自然形的造型;临水枝修剪得过于整齐,闷闷乎就象块馒头,属于云片式的造型。由于二者之间造型手法不一,所以看起来就不太顺眼协 “Going home line” is a basin of three stems of old elm piles with turtle arid and water droughts bonsai, although inadequate, but also quite see the author’s skill. As far as the pictures are concerned, the waterfront treatment is indeed unsatisfactory. As some comrades said, “the style is extremely uniformed.” “It is extremely rigid and lacks anguish.” Although these reviews are more extreme, but not without reason. From the figure we can see that the modeling method of watering branches is not coordinated with the main trunk (dry trunk) and dry trunk. The latter two more dynamic and natural form, full of vitality, is a natural shape; water pruning too tidy, muffled like a piece of bread, are cloud-style modeling. As the modeling practices vary between the two, so it does not look like the Eye Association