多年来,周啸虎在动画、录像、装置和行动艺术领域创作了许多具有影响力的重要作品。他对当下社会现状的关注,和极具张力的视觉效果,构成了其“社会装置”的艺术理念。最近在上海民生现代美术馆的展览中,周啸虎将庄子哲学和民间木偶艺术结合,回望传统文化,思考其在当下的有效性,进行“文化装置”的转向。本刊对艺术家进行了一次专访,对其艺术线索进行梳理,并呈现其转向的源流。 Over the years, Zhou Xiaohu has created many influential and important works in the fields of animation, video, installation and action art. His concern for the current state of the society and his intense visual effects constitute the artistic concept of “social installation.” In his recent exhibition at the Minsheng Art Museum in Shanghai, Zhou Xiaohu combined Zhuangzi’s philosophy with folk puppet art and looked back at traditional culture, thinking about its effectiveness in the present, and turning to “cultural installations.” The magazine conducted an interview with artists and sorted out their artistic clues and presented the origins of their turn.