程式是戏曲表演的基本形式.没有表演程式就没有戏曲。无论唱腔的结构也好,表演的程式也好,锣鼓经也好,武打也好,或者行当也好,都可以泛称为程式。(张庚《漫谈戏曲的表演体系》)它化为唱、做、念、打四大基本程式,作为戏曲表演形式的基础。戏曲,这座万丈高楼就是在程式这个基础上建立起来的。程式是从生活中提炼的。程式来自生活,没有生活就没有程式。侯朝宗的《马伶传》是乾嘉时期著名伶人典故。这个典故就是戏曲史上把生活提炼为程式的范例。 The program is the basic form of opera performance. There is no drama without performance program. Regardless of the structure of the singing is also good, the performance of the program is also good, percussion Ye Hao, martial arts or Ye Hao, Ye can be generally referred to as the program. (Zhang Geng’s “Talkative Drama Performance System”) It turns into four basic programs of singing, doing, reading and playing as the basis for the form of opera performance. Opera, this lofty tower is built on the basis of this program. Program is derived from life. Program comes from life, no life there is no program. Hou Chaizong’s “Ma Ling Biography” is a famous actor Qianlong era allusions. This allusion is an example of dramatization of life as a program.