建国初期,我从事“戏改”工作,曾观摩过《私情记》的内部演出,见识其当时保存下来的所有折戏。后来因为调查皖南花鼓戏的剧种艺术资料,先后在皖南、安庆和湖北东南一带收集采访,又一再接触到这个剧目,于是东鳞西爪、林林总总地记下一些材料和印象。现从中筛选其有关资料性的片断,以及笔者当时对这个著名传统戏的某些看法,稍作整理,公诸同行,以就教焉。 In the early days of the founding of New China, I was engaged in the work of “dramatization”. I had observed the performance of “Miracle of Talents” and witnessed all the excerpts preserved by the time. Later, because of the investigation of Wannan Huagu play drama art information, successively in southern Anhui, Anqing and southeast Hubei area to collect interviews, and then come into contact with the repertoire, so the East West claws, foreigners to keep a record of some materials and impressions. From the screening of its relevant information on the pieces, as well as the author was some of the views of this famous traditional opera, a little finishing, public colleagues, to teach Yan.