从上世纪八十年代初开始,我行走在田野间,从事民艺研究成了自己的人生理想。而今三十多年过去了,在社会发展文化转型的大背景下,体验了农村变迁的风风雨雨。记忆中,在乡间、在街巷、在作坊,与年迈的老艺人聊聊手艺活,听听民间艺人拉呱的乡音;在热闹的年集上、农家的婚丧大礼上,看看乡土文化的博大与超然,尤其能感受到农村文化生活的丰富灿烂,体尝到民间艺术的厚重、鲜活和老百姓的坚守。回想起来曾经的岁月,十分感概,自二十几岁确立了民艺研究的志向,仿佛足下生根,获得了来自 Starting from the early eighties of last century, I walked in the field, engaged in folk art research has become their own ideal of life. Now more than thirty years have passed, under the background of cultural transformation of social development, experienced the ups and downs of rural changes. Memories, in the country, in the streets, in workshops, chatting with elderly artisans alive, listening to folk accent Raqua accent; in the lively set, the farm wedding ceremony, take a look at the local culture Broad and detached, in particular, can feel the rich and colorful rural cultural life, to appreciate the heavy folk art, fresh and people’s adherence. In retrospect, the time was very sensible, since the twenties established the ambition of folk art research, as if rooted enough to obtain from